easter oratorio造句

• The same applies for the secular cantata precursors of the " Easter Oratorio ".
• He recorded the " Easter Oratorio " in 1994 with the Collegium Vocale Gent and Philippe Herreweghe.
• The " Easter Oratorio " is an exception, as a play of four biblical characters without narration.
• The music is lost but can be reconstructed from a related work, the Easter Oratorio, which Bach also premiered in 1725.
• Not only a single movement but a complete cantata was reworked from the Shepherd cantata to become the " Easter Oratorio ".
• In March 2011 they performed Bach's " Easter Oratorio " and Allegri's " Miserere " at Holy Trinity, Sloane Street.
• It has been possible to reconstruct the music of BWV 249a, matching the score of the Easter Oratorio to Picander's secular text.
• With Leonhardt she also recorded Bach's " Easter Oratorio " and Ascension Oratorio, with Suzuki Bachs " Christmas Oratorio ".
• The German researcher Friedrich Smend determined that the order of movements was not changed in the Easter Oratorio, and that therefore the music of the Shepherd Cantata could be reconstructed.
• The lost music of this cantata was linked to the earliest version of Bach's " Easter Oratorio ", and Picander may have provided the parody text for this music for Easter first performed in 1725.
• Unlike the " Christmas Oratorio ", the " Easter Oratorio " has no narrator but has four characters assigned to the four voice parts : Simon Peter ( tenor ) and John the Apostle ( continuo.
• His recordings with the Motettenchor Pforzheim include works by Johann Sebastian Bach, such as choral movements from Magnificat for Christmas Vespers, BWV 243a, the " St Matthew Passion ", " Christmas Oratorio " and " Easter Oratorio ".
• The work belongs to a group of three oratorios written towards the end of Bach's career in 1734 and 1735 for major feasts, the others being the " Ascension Oratorio " ( BWV 11 ) and the " Easter Oratorio " ( BWV 249 ).
• Sargent recorded a wide variety of other European composers, including Bach's Sinfonia from the " Easter Oratorio ", with Goossens and the RLPO; Chopin's " Les Sylphides " ballet suite ( LPO ); Grieg's " " Unfinished"
• This album, by the always venturesome violinist Reinhard Goebel and his fine group from Cologne, offers music by several early Bachs, notably a delightful orchestral suite from Johann Ludwig; by a non-Bach, Cyriacus Wilche; and by Bach himself ( an exciting concerto with trumpets and drums based on the " Easter Oratorio " ).
• He wrote his Easter oratorio " Christus Requiem " for the Guildhall School of Music and Drama's principal Allen Percival and the City of London in 1973 . " Christus Requiem " brought together the full orchestral, choral and dramatic forces of the Guildhall School for its first performance in St . Paul's Cathedral, in the Spring of that year.
• Bach's three extant oratorios also date from this period : the " Christmas Oratorio " ( a set of six cantatas presented in the Christmas season of 1734 35 ), the " Ascension Oratorio " ( 1735, with the dimensions of a single cantata ) and the " Easter Oratorio " ( an Easter cantata of 1725 with slight alterations reworked into an Oratorio 1738 ).
• Among the conductors and ensembles to record and perform music of Bach using some form of the vocal scoring argued for by Rifkin are John Butt with the Dunedin Consort, ( " Magnificat ", " Easter Oratorio ", and several cantatas ), Monica Huggett ( St . John Passion ), Eric Milnes, who has begun recording the complete cantatas cycle with one singer per part, Marc Minkowski ( Mass in B minor ), Lars Ulrik Mortensen ( Mass in B minor ), Philippe Pierlot with the Ricercar Consort ( Magnificat, masses and cantatas ), Jeffrey Thomas ( who has also often used multi-voice choirs ), Jos van Veldhoven ( Mass in B minor, St Matthew Passion ), Matteo Messori ( " Christmas Oratorio ", cantatas, motets ), and Peter Kooy in the motets.